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Orchestral scale is lost, but the intensity is enhanced by the performance and the immediacy of TRPTK's transparent 5.0, 24/352.8 recording. Fridman compacts all the opera's passion, angst, and veins of sweetness into less than a half-hour of dazzling musicmaking for just two instruments, cello and piano (plus a surprise).

I relish the opera itself for an occasional deep emotional wallow. Brendon Heinst, recording and mastering eng.Īlong with his wit and charm, I love Prokofiev's depictions of anxiety and torment, as in the Symphony No.3, which employs melodies and rhythmic themes from his at-the-time-unperformed opera The Fiery Angel. Maya Fridman, cello Artem Belogurov, piano I am also an addict for Prokofiev's 'The Fiery Angel' in any form and I selected Maya Fridman's recording of her arrangement for 'Records To Die For' (sic): but before I do that, to show that in reality I have a positive attitude to all audio guys regardless of number of ch-s of their systems, I will only add that an audio friend, Brendon Heinst has an audiophile label here in the Netherlands, I don't know anything about quality of his mch productions but I have some 2ch recordings of his wife, Maya Fridman who is an amazing cellist and they sound just great! Brendon is a real audiophile and among other hi end gear has the biggest number of KEF Blades from all people I know 😉, maybe someone will be interested in checking out TRPTK as for their mch (from Dolby Atmos and Auro-3D, up to 10-channel DXD!) stuff!

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